When I am testing pitches and their overtones on my guitar and piano in OA I can with
exactness see that the two have different and beautiful overtones - two instruments "timbre".
*
However, I cannot visually see any significant difference in the quality/quantity of the SAME
instrument´s overtones of our scale tones. Even "for my ears the dull" D# and "bright" F# show
the same beautiful overtone-octaves, -5ths, -3rds, -7th, -9th etc in roughly the same quality.
*
Dear Bodo and Wolfgang, it is so important that I need both of your personal experiences:
A) What are the inherent qualities of sounds and their overtones, which a trained ear and brain
can recognize as different pitches ? ( and a very good spectogram cannot yet show me :))
B) How can Overtone Analyser be of help - not only for "perfect pitch" but for everyday´s
practical ear traning on musical instruments ?
*
For songvoice training Overtone Analyser feels like an invention of higher genius - it works.
*
For the many like me - wanting to start ear training with ex. guitar and piano - do you have
any creative ideas about Overtone Analyser´s possibilities to train recognizing different pitches
and also train the ear to recognize different chords ? Kind greetings to both of you, Frank K